St. Louis comics fandom wraps up its 1970 interview with native son and DC comics writer O’Neil, weeks away from revamping Superman, Batman.
Rare fanzine: GRAFAN 8, February/March, 1971
[This issue is for sale as a digital download pdf.]
Publisher: Graphic Fantasy Society of St. Louis, Missouri
18 mimeograph pages + offset cover
Circulation: < 100 copies
Editor: Walt Jaschek
Cover by: Vaughn Bode
Main Feature: Part 3 of interview with DC writer Denny O’Neil by Len McFadden, Mike McFadden, Bob Schoenfeld, Bob Gale and Walt Jaschek
Additional features: Editorial, Fandom Report (member and meeting news), Miami-Con 1971 report by Steve Houska, letters from from Ralph Green, Tony Foster, Joe Caporale, Ruben Hayes
Interior art by: Joe Caporale, Tom Foster, Chester Gould, Steve Houska, Len Wein
Mimeograph production: Walt Stumper
In January, 1971, at the ripe young age of 15, I was putting finishing touches on the 8th issue of GRAFAN, the mimeograph fanzine newsletter of the Graphic Fantasy Society of St. Louis, the enthusiastic, young fan hub of this Midwestern city back in the day. The zine was, according to the indicia, “conjured every month with a little bit of luck… and magic.” All the issues included “Fandom Report,” a preview of upcoming meetings, TV airings and movies of interest, and minutes of previous meetings.
We were a tight and dedicated bunch of what we now call nerds (I say proudly,) and I really don’t know how I would have survived my teen-age years without this funny, supportive group of fellow fans and aspiring writers and artists.
The highlight of this issue was Part 3 our our round-table discussion with St. Louis native and ascendant DC Comics writer, Denny O’Neil (“Wonder Woman,” “Green Lantern,” “Justice League of America.”) The recorded and transcribed conversation took place in Bob Gale’s basement late in 1970, with questions from Bob Schoenfeld, Len McFadden, Mike McFadden, Bob and me. Most of these guys were in their late teens; Denny was in his late 20s. I was, as mentioned, 15. Imagine my thrill.
Here’s the first page of the interview, with a header designed by me right on the mimeograph stencil, and an opening cartoon by me, as well.
This part of the discussion was focused on comic book sales and the target audience. Is it spontaneous (“That looks interesting, I think I’ll buy it”) or uniform (“I will buy this every month no matter what.”)
GRAFAN: It seems to me that the company should either go to an all-spontaneous audience or a uniform audience.
DENNY O’NEIL: Well, we’re not going to be able to go to a spontaneous audience for a number of reasons, among which are merchandising problems. We can’t put comic books out like they put TV Guide out, with point-of-purchase displays and that sort of thing. It seems to me, that our best hope is to try to build a solid audience; to do that it’s going to require some major upheavals. A lot of attitudes are going to have to be changed. The Academy of Comic Book Arts is in business to change the attitudes. First we have two change the attitudes of the readers— the public — toward comic books. For years comics have
been synonymous with the most imbecilic entertainment. And we are going to have to change the attitudes of the publishers…
GRAFAN: And the editors…
DENNY O’NEIL: Well, no, you give the editors a good product, and they get turned on. Julie Schwartz is a fantastic man now… he’s bubbling and happy because he’s doing science fiction.
GRAFAN: Growing long hair, wearing beads…?
DENNY O’NEIL (smiling): Not quite like that.
Much of the discussion was about declining sales and the potential demise of comic books altogether.
GRAFAN: So you’re going to have a good time as the comic industry slides downhill, is that it?
DENNY O’NEIL: Well., that could be. We may be on a real Ragnarok trip. The end may be very soon. But I think there are things that can be done. A lot of business things–thing that should have been done ten years ago. But ten years ago, Superman was good for 750,000 copies and the money was just rolling in. I guess at that time they didn’t see any need to engage in what I feel are very simple basic business practices that would tend to build an audience am get the magazines displayed. Practices that would broaden the base of the operation, so that if you had a bad year with the comics, you don’t stop altogether. Well, obviously, [ownership by the] Kinney [Corporation] is good for that, so that’s at least one thing that has been done.
And some of the discussion was prophetic: talk of new formats and distribution models that would take years to manifest.
GRAFAN: Is the Kinney Corporation significantly interested in DC Comics to really institute some revolutionary changes in distribution?
DENNY O’NEIL: Sure. They’ re talking about all sorts of things.
GRAFN: What sort of things?
DENNY O’NEIL: Oh, there is the package concept, the subscription concept, the bigger-magazine with higher-price concept, which would make comics more attractive to retailers. People are talking about paperback book formats, and even hard cover formats. A lot of things are being kicked around….
Here on the back page is an actual sketch of Dick Tracy by creator Chester Gould. It was an original I received in the mail from Mr. Gould after I sent him a fan letter. But of course it had to be traced onto the mimeograph stencil by someone. You guessed it: me.
Being “editor” was a role for multi-taskers!
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