Funny radio ads: Beloved. Effective. Memorable.
Funny radio commercials will make your audience fall in love with your brand. Well-written and well-produced comedy spots get heard, get remembered and get results. They also improve the overall radio listening experience. Who doesn’t radio-ate affection for that?
So get ready to (ready?) “laugh your ads off!” Please turn your volume up for the following, 15 funny radio ads, written or co-written by Walt Jaschek and produced by Paul Fey, the team at Paul & Walt Worldwide.
If you’re in the advertising, promo or radio biz, we hope these spots serve as helpful radio copywriting, acting and production examples. If you just love funny audio, we get that, too. In any case, we hope these spots inspire more of the same. Radio advertising needs funny, more than ever.
Please leave a comment, and if we can help you develop funny radio ads for your brand or agency, please contact us. If you’re not sure where to start, Walt offers a brainstorming service to help get your campaign off the ground.
Funny radio commercial #1: “Robert Goulet” for “The Simpsons”
Winner, $20,000 Mercury Award for Radio Humor. Starring the late, great singer/orator Robert Goulet as himself. Technique: a funny list structure, contrasting serious, somber voice to the juvenile and irrelevant text. Key line: “And now, Mr. Goulet reads from ‘The writings of Bart, the collected, after-school blackboard writings of young Bart Simpson.’ Read Walt’s script.
By the way, that spot makes a guest appearance in Larry Oakner’s book about funny radio, And Now a Few Laughs From Our Sponsor. It’s recommended.
Funny radio commercial #2: “Missing Persons” for “Matlock”
Winner, Clio Award for “Best Radio Copywriting.” Winner, National Addy Award. Technique: funny dialogue and theatre of the mind to demonstrate fan devotion. The staccato dialogue was written in the style of Jack Webb’s “Dragnet,” with the added benefit of the built-in repetition. (See if you can remember when Matlock is on.) Don’t miss the great sound design of the goofy caller walking down the hall and back. That’s radio, baby! Key line: “My wife is missing.” Read the script.
Funny radio commercial #3: “Laugh Catalog” for “George Schlatter’s Comedy Club”
Winner, Clio Award for “Best Use of Sound.” Winner, national Addy Award. Technique: “list” structure and contagious sounds of laughter. Bonus trivia: this spot represents one of the first creative collaborations between writer Walt Jaschek and Paul Fey. When Walt heard the incredible sound design Paul and engineer Bill Schulenberg brought to the spot, he thought, “This radio thing. We might be onto something here.” Key line: “Guffaw With Wheeze.” Read the script.
Funny Radio Commercial #4: “Cellular Guy” for Southwestern Bell Mobile Systems
Winner, National Addy Award, Radio. Clio Award, Best Radio Copywriting. Technique: “quick cut” structure of comic one-liners. This is a technique Paul and Walt used many times throughout the years: Walt loves it because “it’s like writing a stand-up set.” Also note the slight self-deprecating the client allowed. Very rare these days. Key line: “Southwestern Bell Mobile is trouble-free. But then, trouble is always free.” Read the script.
Funny radio commercial #5: “The Ballad of Judge Wapner” for “The People’s Court”
Winner, Promax Muse Award and a National Addy Award. Technique: music parody with lots of internal rhymes and inside-joke show references. It’s a spoken-word “ballad” honoring pop culture icon Judge Jospeh Wapner, original judge on the TV series “The People’s Court.” Come on: are there funnier songs about reality TV? Key line: “He talks and he laughs / his voice full of gravel, but the bad guys just gasp / when he bangs his big gavel.” Read the script.
Funny radio commercial #6: “Viva La Volvo” for Volvo
Winner of the National Addy Award. Technique: quick cuts of relatable, comic one-liners with rocking, musical “black-outs.” This is another of the stand-up-comedy-style spots polished by Paul & Walt, as heard in the Southwestern Bell Mobile Systems spot above. This time our droll wit is a woman and fierce Volvo lover. Key line: “A friend of mine asked me to tell him about my Volvo. ‘Hey,’ I said, “That’s just between me and my gynecologist.,” Read the script.
Funny Radio Commercial #7: “Beat-Yourself-Up Hotline”
Winner, National and Regional Addy Awards. Technique: funny dialogue and very human, relatable self-recrimination. (“I am so stupid! I can’t believe how stupid I am!” The spot imagines a call-in hotline for just such a thing. This spot is one of the most listened to and liked radio commercials on our YouTube channel. Maybe’s it’s biceps on the guy in the thumbnail? Key lines: “Wow, you beat yourself up very well, sir.” “Thanks!” Read the script.
Funny Radio Commercial #8: “Star-In-Your Own Radio Commercial” for Budweiser
Technique: funny dialogue, theatre of the mind, and a “game” of listener participation.(“Whenever you hear this sound – DING! – insert your name.”) The target audience of this spot is men, but we wrote a version for women with the roles reversed. Key line: “Sometimes there aren’t enough hours in the day to be a neurosurgeon AND a swimwear model.” Tell us about it. Read the script.
Funny Radio Commercial #9: “Put Your Tongue on the Radio” for “Gene Simmons’ Family Jewels”
Techniques: theatre of the mind and a “game” of listener participation. A little bit of outrageousness to match the personality of the star. Gene Simmons is the founder of Kiss and star of the “Family Jewels” family reality TV series on A&E. He’s also famous in rock culture for having a verrrrrry long tongue. Hence the inspiration for this tongue-focused spot. Key line: “It’s the rock-meets-reality TV series that licks them all.” Read the script.
Funny Radio Commercial #10: “I’m Shaving My Head!” For “Star: Trek the Next Generation.”
National Addy Award winner. Technique: parody of fan/cult behavior to express popularity of show. Read the script. (P.S. Watch Patrick Stewart’s new series, Star Trek: Picard on CBS All Access. You get a week free.)
Funny Radio Commercial #11: “Mister Rippemoff” for “NewsCenter 7 Wastebusters”
Winner, Promax Award for local news promo. Technique: funny dialogue and theatre of the mind. Key line: “Tell them I went out my window, down the fire escape, and booked down the street screaming like a madman.” Read the script.
Funny Radio Commercial #12: “Vibrating Water Bed” for “Jeopardy Tournament of Champions”
Promax Award for syndicated TV promo. Technique: funny dialogue, theatre of the mind, funny sound effects. Read the script.
Funny Radio Commercial #13: “Duck Call Tester” for Las Vegas Tourism
Los Angeles Addy Award. Technique: repetition of funny sound effect to build intrigue. Compare and contrast mundane with exciting.
Funny Radio Commercial #14: “Marketing Genius” for CreativeWorks
Technique: funny dialogue; use of historical figure of import and intellectual capacity to contrast the simplicity of the offer.
Funny Radio Commercial #15: “Millions of Americans,” Public Service Announcement for The American Optometric Association
Techniques: Funny dialogue and theatre of the mind to imply a scene that could only happen on radio. The “sound” of millions of people speaking simultaneously made this PSA stand out when it ran on American radio stations. The stations, who usually get quite ordinary PSAs, reported back their love. Key line: “Sally sells sea shells by the sea short.” Read the script.
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