Today on Walt Now: a true story of some late-night Amazon shopping that might have involved a glass of wine or two. Walt Jaschek unboxes a package that arrived unexpectedly – and shows us what was inside.
This radio commercial for early generation Southwestern Bell mobile phones established a lively, ear-catching format we used often: a stand-up comic tossing off one-liners about the product, interspersed with upbeat music. The one-liners were often self deprecating: hard to imagine brands having this much fun with themselves these days!
The spot won Clio Awards and Addy Awards, and established a campaign of spots that ran for months.
By the way, that image in the thumbnail is Walt himself, holding his beloved iPhone 7, recommended. Check Amazon for current pricing.
Writer: Walt Jaschek
Producer: Paul Fey
Agency: Paul & Walt Worldwide
Urgent and lively MUSIC begins. It’s a version of “I Get Around,” a song originally recorded by The Beach Boys. The music drops out for observations about cell service from a very droll, dry stand-up comic.
“I GET AROUND” MUSIC UP AND OUT
COMIC: I get around. When I talk on a Southwestern Bell Cellular Phone, my voice is crystal clear. That’s amazing, considering it’s not really that clear in person.
MUSIC UP AND OUT
COMIC: I put a Southwestern Bell phone antenna on my head and walked into a crowded restaurant. Forty-two attorneys tried to “dial out” on me.
MUSIC UP AND OUT
COMIC: Southwestern Bell cell service is so clear, when I’m talking to my girlfriend, it’s as if she’s right next to me. I can actually hear her withdrawing.
MUSIC UP AND OUT
COMIC: Southwestern Bell has cell service that’s trouble-free. But then, trouble is always free.
ANNOUNCER: No wonder more people go more places… with Southwestern Bell Mobile Systems.
COMIC: Someday, Southwestern Bell will be able to break us down molecularly and send our bodies through cellular phones. This might be a long way off, but just in case, I’m getting a haircut.
MUSIC UP AND OUT
© Paul & Walt Worldwide
It’s 1899 and Dr. Devlin D’Abo (Walt Jaschek) believes he alone can lead the United State of America into the Twentieth Century. To help him take control of the federal government, D’Abo creates a weapon that will make his arm of desperadoes invisible. Only the Sons of the Saddle (Don Secrease, Rick Burchett, Bill Lux) stand between the mad doctor and his plan to unite western hemisphere under one supreme leader… D’Abo himself!
— From the DVD jacket for “Sons of the Saddle: The Invisible Rayders: Chapter 4: Doorway to Doom”
Writer/director Don Secrease (working under pseudonyms Sean Ryan and Manny Handz) was the creative force behind this amateur film and B-Western movie parody made by enthusiastic B-movie fans. As backstory, Don wrote the below…
This serial chapter of Sons of the Saddle’s “The Invisible Rayders” (chapter 4 “Doorway to Doom”) was made by a group of B-movie/serial fans for fun, to be shared by friends and family.
It was the summer of ’95, a few of us were discussing fan-made, straight-to-video movies, comparing good to bad, FX, etc., produced by Skeleton Creek Prod., W.A.V.E. Prod., B. Black’s Nightveil Media (its contemporary name.) These films were viewed, discussed, admired for their ingenuity and enthusiastic presentations.
Our ragtag team of B-movie aficionados decided to gather friends and family and create our own movie-making inadequacy.
We selected characters from our daily gag comic strip, “Sons of the Saddle,” wrote a 12-chapter serialized story, picked a random chapter, scripted it – then started rounding up the usual suspects – not to mention costuming, horses and tack.
All fell into place once we scouted our locations. Our major battles filming that summer: a Missouri heatwave, reliable video cameras and, finally, appropriate music. Since this was made for private amusement (or condemnation) and nor for sale, we picked background music from a few public-domain serials & B-westerns.
Ready for a new “Walt Talk?” Live on tape from his home-office in beautiful Ballwin, Missouri: a brief message from creative freelancer Walt J. about his upcoming guest-appearance at the “Be a Better Freelancer”® conference October 11th, 12th and 13th, 2019, at the Chase Park Plaza Hotel in St. Louis, Missouri, USA. Walt will be presenting to the assembled freelance writers and editors a topic suggested to him by the conference organizer. The topic: “You Oughta Be in Visuals: How to Make Your Social Sizzle to Be a Better Freelancer.” Walt says he looks forward to hearing exactly what he has to say about that topic… when he comes up with something… by October. Link to the conference: https://www.facebook.com/events/20043… Link to Ruth Thaler-Carter, the conference organizer: https://www.facebook.com/ruth.thalerc…
Walt is a writer (as Walt Jaschek) and a performer (as Walt Jay.) They’re both at work in this promo video, written by the former and presented on-screen by the later. 😉
Walt Jaschek gets killed by crazed miners in Colorado! Walt J the actor, that is. In one of his only film roles (so far,) Walt appeared as the doomed nebbish Harold Pilgrain in the 1984 indy action movie “Planet Gone Mad,” also known by its original title, “Spirits of Jupiter.” Filmed in and around Canon City, Colorado, the movie was directed by Russell S. Kern, with cinematography by Steve Flanigan. Hollywood stuntman Rex Cutter played the film’s hero, Big Jim Drill. Character actor Walt had a few scenes with Rex, his airplane, and the crazy miners who are compelled to kill. Walt did own stunts, including jumping out of that moving airplane, as you will see. Here are the full IMDB credits.
And now, that review.
“Jupiter Filled With Violence”
From the Colorado Springs Gazette Telegraph, Friday, March 2, 1984
By Linda D. Smith
GT Features Writer
CANON CITY – The residents of this city turned our Thursday night for the premiere of “Spirits of Jupiter,” a film starring many of their friends and neighbors.
Rocky Mountain Studios and Producers Group Ltd., a Colorado Springs production company, filmed the movie in Canon City and surrounding Fremont County last year, relying on the local residents for talent and local scenery for backdrops.
Written and directed by Russell S. Kern of Colorado Springs, “The Spirits of Jupiter” takes the predictions of 16th century philosopher Nostradamas and applies them to 1984. In particular, Kern has taken the idea if the planets Jupiter and Saturn were to align, the result would be a gravitational pull that would wreak havoc on the people of Earth.
The story line has given the film makers a great deal of latitude in creating a fill full of violence.
In one scene after another, viewers see a bloody headless corpse, a man’s eyeball ripped from the socket by a crazed dog, and friends turning against neighbors with guns, knives and meat cleavers.
The story follows mine owner Big Jim Drill, played by Rex Cutter, who is spared the ravages of the gravitational pull. His first interest is in keeping his mine open, until things get so out of hands, he becomes more concerned about the survival of his family. The movie is filled with some very colorful and talented characters, including a modern-day Nostradamas, played by Richard Luna, Drill’s airplane mechanic, portrayed by Cliff Willis, and the fidgety mine supervisor, played by Walter Jaschek.
The roles of Dril’s son and daughter and filled by two Colorado Springs residents. Handsome Chopper Burnet, a drama student at Colorado College, portrays Drill’s son Robert with a great deal of finesse. Carol Engel, a regular performer at the Iron Springs Chateau, plays Jennifer Drill.
And when it comes to villains, James Aerni’s portrayal of police chief Julius Switcher rivals any melodrama house in the area. In the movie, when Switcher first succumbs to the gravitational pull, he gets the most sinister gleam in his eye when he takes off his boot and begins playing a game of Russian roulette with his toes.
Steven R. Flanigan of Colorado Springs, who is the director photography, has made tremendous use of the Canon City area in filming “Spirits of Jupiter.” The action sequences are well done and use a variety of vehicles, from cars and motorcycles to airplanes and helicopters. But Flanigan is best in the aerial sequences, capturing the beautiful countryside on film. Thursday night’s audience at the Skyline Theatre in Canon City seemd to relish seeing themselves and their friends on the big screen.
Colorado Springs residents will get to see and critique the film at its only performance here, at 4:30 p.m. March 9 at the Cooper Theatre. Tickets are $4 in advance from Budget Tapes and Records, Independent Records, big Apple Tapes and Records, or at the door.